scotchandcigar
All I wanted was some steak
24 for me.
1983 was a good year. 33 good/ok. No channel changers.
5: WANNA BE STARTIN' SOMETHIN' - MICHAEL JACKSON37: SOUL MAKOSSA - MANU DIBANGO
Ma ma se, ma ma sa, ma ma coo sa!
You would find the week of 1983/04/02 interesting. 1-11 are exactly the same as the week before. #12 is different and #13 is also the same. "Beat It" moved from 15 to 14 to put some pressure on the logjam, The #11 song that week was "Come On Eileen" by Dexy's Midnight Runners which did not suffer from being stuck at #11 for a week shooting up to #4 the week after.Interesting bit o' trivia: All of the songs in the top 6 are identical to last week! No changes!
TW | LW | Artist | Title | Record Company | Week on Chart | Hot 100 Debut | Peak | Other Charts |
101 | - | Talking Heads | Burning Down The House | Warner Bros. | 1 | 7/30/83, #84 | 9 | #6 US Rock |
102 | 109 | The Plimsouls | A Million Miles Away | Warner Bros. | 2 | 7/30/83, #88 | 82 | |
103 | 103 | Dionne Warwick | All The Love In The World | Arista | 2 | - | 101 | #10 UK, #16 AC |
104 | 101 | U2 | Two Hearts Beat As One | Island | 4 | - | 101 | #18 UK, #2 IRE |
105 | 106 | Yello | I Love You | Elektra | 2 | - | 103 | #41 UK, #16 Dance |
106 | 107 | Jennifer Warnes | Nights Are Forever | Warner Bros. | 4 | - | 105 | #8 AC |
107 | - | Lindsey Buckingham | Holiday Road | Warner Bros. | 1 | 8/6/83, #92 | 82 | |
108 | 110 | Juluka | Scatterlings Of Africa | Warner Bros. | 2 | - | 106 | |
109 | 108 | Shor Patrol | Loverboy | Arista | 2 | - | 108 | |
110 | - | Gary Moore | Falling In Love With You | Mirage | 1 | - | 110 |
One would always expect "Beat It" to precede "Come on Eileen".You would find the week of 1983/04/02 interesting. 1-11 are exactly the same as the week before. #12 is different and #13 is also the same. "Beat It" moved from 15 to 14 to put some pressure on the logjam, The #11 song that week was "Come On Eileen" by Dexy's Midnight Runners which did not suffer from being stuck at #11 for a week shooting up to #4 the week after.
Two of the dirtiest songs ever, and together they are even worse and become the soundtrack to the Harvey Weinstein biopic.One would always expect "Beat It" to precede "Come on Eileen".
And by that I meant "Hold On To The Nights"Richard Marx "Right Here Waiting"